In this Master course we looked at the history of moving images in general and “Expanded Cinema”, Video Art and Experimental Animation in particular and analysed new developments and tendencies in contemporary animation. The students developed own experimental animations at the intersection of moving images, digital technology and aesthetics and found new approaches to create moving images, re-use existing methods to bring images in motion, have them driven by code or data, created under the influence of neural networks and similar technologies or even create moving apparatuses and installations. The final results were presented publicly at the Open Space stage at the city centre of Bremen.
(selection of projects)
In this Master course we looked at the history of moving images in general and “Expanded Cinema”, Video Art and Experimental Animation in particular and analysed new developments and tendencies in contemporary animation. The students developed own experimental animations at the intersection of moving images, digital technology and aesthetics and found new approaches to create moving images, re-use existing methods to bring images in motion, have them driven by code or data, created under the influence of neural networks and similar technologies or even create moving apparatuses and installations. The final results were presented publicly at the Open Space stage at the city centre of Bremen.
(selection of projects)